Seattle Twist

As gas becomes more expensive, walkable cities will thrive, leaving the suburbs unwelcoming and uninhabitable. Planning walkable urban areas is key to our sustainable future.

Tomorrow night, Island Press will host its first event in a new series of Discussions on the Built Environment at Town Hall. This is Thursday, July 1st 6 – 7:30pm, downstairs at Town Hall; enter on Seneca Street.

Island Press has assembled a panel featuring Brookings Institution fellow Christopher B. Leinberger, developer, teacher and author of The Option of Urbanism; Bruce Agnew, Director of the Cascadia Center; Alex Steffen, Executive Editor of Worldchanging.org, and Scott Matthews, Vulcan Real Estate’s Senior Director, Acquisitions along with moderator Ron Sher, owner of Third Place Books and a nationally-recognized pioneer in the realm of commerce, community and civic space. They will discuss ways to create walkable urban centers and encourage transit in the context of local and federal policy, as well as opportunities for architects, developers, and preservationists to consider current regulations and policy change.

The event is the first in a new series, the Thought Leaders Discussion Panel on the Built Environment, sponsored by Island Press and Town Hall Seattle.

Tickets at Brown Paper Tickets.

On June 3rd, start your First Thursday Art Walk with a screening of the film B-Town: How Burien Came into Its Own, at 6pm at GGLO Space at the Steps at 1301 First Ave., entrance off Harbor Steps.

You’ll meet the creative people who got together to shoot a half hour documentary telling Burien’s story; have some food and drink; and we’ll invite you to help us complete the project. B-Town: How Burien Came Into Its Own answers this question: What does it take to have the health and resilience to rebound from an economic downturn by integrating art in an unfinished section of your Town Square and throwing a community party?

This is the story of a vision people had for their city and how they made it come true – how, even in hard times, they are still making it come true. Last year, Burien artists and city officials did something inspired. They created an Interim Art Space in a potential eyesore when the city center was at a standstill. That marked yet another evidence of the buoyancy and changeability of this place. Featured are artists; the Town Square developers, designers and other business people; new arrivals; old timers, and the government offi cials that help make it all happen.

July 29, 2009 – SEATTLE, WA. Since relocating to Seattle from Southern California 20 years ago, Fantagraphics Books has remained committed to nurturing and promoting the diverse practitioners of alternative comics in the Northwest. The country’s most successful purveyor of challenging comics routinely employs local cartoonists and publishes the work of regional artists which has contributed to Seattle’s international reputation as the unrivaled center of alternative comics. To celebrate this association, Fantagraphics Bookstore & Gallery presents “Comics Savants: A Survey of Seattle Alternative Cartoonists” opening Saturday, August 8.

This exhibition will feature over a dozen emerging and established artists, including many of the most accomplished cartoonists in the alternative movement. Among them: Peter Bagge, who coined the term “alternative comics” in 1990 and as the highly-regarded creator of the phenomenal HATE comic book series attracted dozens of young cartoonists to the city during the 90s decade; Seattle native Charles Burns, whose teen years are fictionalized in his amazing graphic novel BLACK HOLE, soon to be a motion picture directed by David Fincher; Visionary artist Jim Woodring, one of only a handful of cartoonists to be embraced by the fine art world, having been awarded the United States Artist Fellowship in 2007 and a 2009 Art Trust Washington State Artists Fellowship, who will exhibit work from his forthcoming graphic novel WEATHERCRAFT; Ellen Forney, whose collaboration with local author Sherman Alexie won the prestigious 2008 National Book Award; David Lasky who will exhibit pages from his collaboration with Seattle writer Chris Estey “The Last Testament” from HOTWIRE #2; Second wave Seattle alternative cartoonist Megan Kelso; emerging artist Eroyn Franklin, who will exhibit hand cut pages from her Xeric award winning graphic novel ANOTHER GLORIOUS DAY AT THE NOTHING FACTORY; current and former Fantagraphics Books staffers Jim Blanchard, Roberta Gregory, Patrick Moriarity; Ted Jouflas; Jason T. Miles and Eric Reynolds.

In addition to the display of original artworks, an eclectic array of comics and graphic novels by exhibiting artists will be available. Many featured artists will attend the opening reception of Saturday, August 8 from 6:00 to 9:00 PM. Fantagraphics Bookstore & Gallery is located at 1201 S. Vale St. (at Airport Way S.) only minutes south of downtown. This event coincides with the colorful Georgetown Second Saturday Art Attack featuring exciting visual and performing arts presentations in close proximity throughout the historic artists’ enclave.

Last Saturday it was a cold, drizzly night. Clusters of people drawn to the Georgetown Art Attack stood across the street from where the Rainier Cold Storage stock house building was being demolished, taking in the beauty. The rain was misting and sodium streetlights reflected off clouds onto the crumbling brick, broken windows, and jagged edges of wood. It looked like it did not want to come down, but was so graceful in its decay. We speculated about whether any of it would be preserved.

Dan Bertolet at hugeasscity.com points out that the cooler in the building had frozen the ground underneath, and when the cooler was turned off in 2002, the resulting settling made the building unsound. At the Slog there’s a lot of discussion about whether it really needed to come down, and whether this is another step towards gentrifying Georgetown. We hope not. The Seattle P-I gives history and more info here.

photo (c) matt tamaru

Lots of photos of the demolition and building at flickr.

Set your Tivo’s to see my interview with Jenny Cunningham, a reporter with KCTS-TV (9) in Seattle tomorrow morning, Sunday 2/10 at 10:30AM on Channel 9. She has been working on a segment called, “Googie versus Goliath,” and it’s a look at the landmarking process in Seattle and the controversy surrounding the Ballard Manning’s/Denny’s battle. She invited me to add my two cents to the proceedings, as I’ve been documenting Googie architecture in the Seattle area for several years on www.SeattleGoogie.com.

Folks have asked me what prompted my interest in Google and I have to think it was looking at the Space Needle most every day outside my window. We’re living here with the largest known monument to Googe Architecture right in our backyard. What’s not to love?

Googie Architecture is most closely associated with the popular architecture and culture of 1950′s and 60′s Southern California, but the Seattle area had it share as well. Though quicky disappearing, there are still some remnants of this modern and space-age look around Seattle, and this Ballard Mannings building is one of them, and that’s why it’s so important to try to preserve this building.

Googie Architecture features bold angles, sweeping cantilevered roofs and pop-culture design. It was a way to grab and hold the attention of a budding car-culture, as we sped by on the freeways. It was a glimpse of the future, Today.

Knute Berger has a great series of articles about the controversy at Crosscut, our local online magazine of news from the Great Nearby.

Denny’s fans hunger for a historic grand slam in Seattle (Los Angeles Times)